Goodnight,
In our blog of December 20 we reported that we met that Iron Front No. 3 of 11 books. ;
Here twelfth:
BELLANGER (Stanislas). Touraine Ancient and Modern. Paris, L. Mercier, 1845. a large volume in-8 ° (174x272)
Wednesday, December 29, 2010
Free Watch Of Digital Playground
Cardboard Romance. Generic Iron Front No. 3. Addendum
Goodnight,
In our blog of December 20 we reported that we met that Iron Front No. 3 of 11 books. ;
Here twelfth:
BELLANGER (Stanislas). Touraine Ancient and Modern. Paris, L. Mercier, 1845. a large volume in-8 ° (174x272)
32 boards inset with a frontispiece and historic gold color and 6 color plates of coats of arms.
Goodnight,
In our blog of December 20 we reported that we met that Iron Front No. 3 of 11 books. ;
Here twelfth:
BELLANGER (Stanislas). Touraine Ancient and Modern. Paris, L. Mercier, 1845. a large volume in-8 ° (174x272)
Mount&blade Generator Kodów
Cardboard Romance. Generic Iron Front No. 5
Height: 210
GENERIC SHEET IRON. RECTO # 5
Iron unsigned, but Lenegre (Rel) sometimes on some front.
Decor composite of four separate chains forming a central location for the title. At the top, center, scrolls and foliage baluster form covered by a pagoda roof flanked by two toddlers. On the sides, chapels entablature, columns surrounded by branches. They contain flower vases or characters. At the bottom, center, flanked by mud angels on an entablature with other angels. Mosaic or not.
Width (al'entablement): 108
Height: 210 
Met on the following books:
1. Saillet (Alexander) Young French people of all ages. Paris, P.-C.-Lehuby nd a large volume in-8 ° (260x160). Mosaic and non-mosaic. Characters in the chapels.
2. BASSANVILLE (Countess of) The Evening and the Morning of Life or advice to young girls. Paris, Desesserts nd a large volume in-8 ° (260x160). No mosaic.
3.SIVRY (ML of) Rome and Southern Italy. Walks and pilgrimages followed by a brief description of Sicily. Paris, Belin-Leprieur, nd a large volume in-8 ° (260x160). No mosaic.
4. [SIVRY (ML)] The Simplon and northern Italy. Walks and pilgrimages. Paris, Belin-Leprieur, nd a large volume in-8 ° (260x160). No mosaic.
can alternatively be noted that unlike the No. 1 Saillet the other three have cardboard flower vases in the chapels.
can alternatively be noted that unlike the No. 1 Saillet the other three have cardboard flower vases in the chapels.
Monday, December 27, 2010
Bmi Chart For Men In India
digression. "It cost, he runs, iron woods, ladies ...
December 20, Friend Bertrand in his blog Modern Bibliophile us store with her usual enthusiasm and sense of beauty, a handsome cardboard Romance he had found under number 124 in the catalog of a colleague. Here's the gist of his remarks:
And to continue the round, always in the same radius of Travel I found a copy of Around the World or a flower in each country, a book J.-B.-J. Champagnac not uncommon for boards and I know of at least five different irons. We have here the second edition published in Paris in Lehuby 1850. It is a large volume in-8 ° (165x260) with 20 boards off text. The copy is in blue buckram, gold chains and mosaics and found the front of this volume of the iron we had Pacha on the back of the previous volume, all within the framework of the first and third volume, our Chinese digging. Against the back face by a three-masted, iron generic very common.
Hello,
December 20, Friend Bertrand in his blog Modern Bibliophile us store with her usual enthusiasm and sense of beauty, a handsome cardboard Romance he had found under number 124 in the catalog of a colleague. Here's the gist of his remarks:
catalog number 124, is an example of cardboard rare romantic, more interesting to a in my opinion, and remember. Bernard will certainly give us his opinion on the matter. Here's what it is:
124 - THE QUARRY (CA). Journey to the gold countries. Africa, Mexico, California, Peru, Chile, New Caledonia, Australia, Russia. Paris, A. Courcier, [1855]. In-8 (2) ff., 328 pp. ; Black buckram, polychrome decoration on the back and the front cover, gilt finial in the center of the back cover, gilt edges (binding to the editor). First and only edition. It is illustrated with a vignette on title, woodcut vignettes in text and 12 lithographed plates with tinted Jules Arnout. Travel philosophical and anthropological sites in the major global gold. The book contains three chapters devoted to California including episodes of the gold rush, a description of San Francisco and a board showing the burning of the city. Another chapter is devoted to Australia. Rare and fine copy in illustrated boards publisher. Ferguson, 7977. - Sabin 38450.
This completes the description of this book. Interesting theme, even rare. Binding of time in perfect condition. Everything comes together to make this book a room coveted by bibliophiles. The book is priced at 2,500 euros.
Personally I have never met this item. By searching the search engine vialibri I could locate duplicate under different conditions and at different prices.
- Copy editor percaline (same one?), Modest copy reseat, wear, foxing, etc.. About 1150 euros (Anglo-Saxon library).
- Copy half grief red binder announced in perfect condition, but the spots. 550 euros by a French bookstore.
I let you express yourself on this item and this pretty binding editor. The opinion of our friend Bernard will be most valuable to judge properly.
Notice that I promised to Bertrand upon my return from holidays. I was just searching my shelves and I found the copy reproduced above. Identical to the front as that proposed by our colleague and with the back iron that is relatively common generic Robinson hung like a barnacle to a rock. Iron is the reproduction of the woodcut frontispiece contained in Structure and captioned:
"A Place in California"
But within that radius, I have a second copy absolutely identical as regards the title, publisher, date of irons but with quite different. On the front in a floral design that my readers will find the latest on other volumes, is the center a standing figure leaning on a barrel and supervises the unloading of a boat. The iron front is a reproduction of a woodcut appearing in the book and named: "Trafficking of gum." the back, a vase with flowers and arabesques of banal.
And then on my boards, I find a third copy with the front of the iron in Place California, ie our two Chinese digging in the same circle and back, an iron that I know well and contained a pasha boarding a ship, greeted by a sailor, an old man in a turban and smoking chibouque her sitting in the background. The gold of the book are of poor quality. It's not like the gold chains of the two previous copies but a mixture of metals including copper called "German gold" by suppliers and that was much cheaper but wore out quickly. Mégard in Rouen as Barbou Limoges have extensively used this material.
Title: George Anson Byron-Ross. Travel around the World and the countries of the world's most curious since Christopher Columbus to the present day by the most popular browsers. Paris, Charles de Lamotte and Co. 1860. A volume in-8 ° (150x245) illustrated with 8 beautiful plates
engraved on steel. Brown buckram. Irons unsigned.
And to continue the round, always in the same radius of Travel I found a copy of Around the World or a flower in each country, a book J.-B.-J. Champagnac not uncommon for boards and I know of at least five different irons. We have here the second edition published in Paris in Lehuby 1850. It is a large volume in-8 ° (165x260) with 20 boards off text. The copy is in blue buckram, gold chains and mosaics and found the front of this volume of the iron we had Pacha on the back of the previous volume, all within the framework of the first and third volume, our Chinese digging. Against the back face by a three-masted, iron generic very common. He runs, he runs the Iron Ladies of wood, he went through here, that again ..... The rhyme is not over.
That now that I come away with a book chains identical to the first except of course the central iron. The front still our pasha who boarded the Iron is also the reproduction of the frontispiece of this book, oddly enough lithography caption:
"A seaport in Sicily." These are the Nile and Danube, souvenirs of a Tourist. Egypt, Turkey, Crimea, Danubian Provinces JD Bois-Robert, illustrated book of 12 prints in two colors and numerous vignettes by JB Arnout Father Carey. An In-8 °
(153x241) published in 1850 in Paris by A. Courcier. A blue buckram gilt and mosaic. On the back we find our Robinson and his rock. come full circle with the first volume. Same face except iron specific central even reverse.
issues remain. As a publisher Courcier used twice this iron core and with different motives. Lamotte, after almost ten years later and after Lehuby. How this iron was circulated? who kept during those 10 years? Why do we have decided to make the cover of Around the World, while the original lithograph belongs to Nile and Danube?
One day I may be the answer to these questions. In the meantime I hope you enjoy my little round iron which has no other aim than make you participate in this study Cartonnages Romantics. Personally, I find it exciting and hopefully not the only one. Good evening.
Tuesday, December 21, 2010
Ppf Vs Mutual Fund In India
Description. Fact No. 1, 2, 3 & 7. The Vicar of Wakefield. Cardboard
Goodnight,
As indicated in my first post, we are working on Cardboard romantic in both directions. One who is to make a descriptive typology of gold chains as well those of the front, that those on the back and back and thus achieve an iconography Descriptive better defined than at present. This is the subject of records being published regularly on this blog. The other study is a simple creation of photo record of all copies that we have already met and their grouping as a way to collect the various cartons on a single track in one glance. This is the basic material of the website we hope to finalize in 2011 and when operational will allow a quick search by title, author, publisher, date, writer, type of iron ... etc. ...
we have already gathered nearly a thousand cards. Together with those for generic Irons, we will, over time and as the description you have some, title by title. This work is still in draft form but imperfect step. Please note that the numbering of structures is tentative and we do not know as yet whether it will become final upon the placing on the Web.
Moreover, these cards are state Book collecting comments and we will give you all next message in a bibliographic listing of books or catalogs that we consulted . The index scarcity, of course subjective, is based on our knowledge of this limited market.
Today four cards on the Vicar of Wakefield
( Eight years before his death, Oliver Goldsmith publishes what will remain his only novel, The Vicar of Wakefield . Success is not to go, it will be long in coming but sustainable. There are already six translations when, in 1838, Charles began his Nodier.
This novel is a synthesis of topics and themes familiar to the great English novelists of the eighteenth century. Fielding, but he retains the picaresque accentuates the comic, of Richardson, he took a spring classic narrative, pure young girl pursued by a ruthless seducer.
The plot is worthy of the ironic "Everything is going very well, Madame la Marquise." Reverend Primrose faces the misfortunes of the world, one by one, will befall him and his family. Without
knowledge can be, Oliver Goldsmith gives us one of the first novels of introspection. His sentimentality, delivered from Puritanism, humane, humanitarian, ethical, even, and will lead to romanticism, his realism is psychological as well as social, charitable irony goes with good nature clairvoyant, making it all the more endearing the character of vicar in which Goldsmith has certainly been a part of himself.) "
N° : 01
Goodnight,
As indicated in my first post, we are working on Cardboard romantic in both directions. One who is to make a descriptive typology of gold chains as well those of the front, that those on the back and back and thus achieve an iconography Descriptive better defined than at present. This is the subject of records being published regularly on this blog. The other study is a simple creation of photo record of all copies that we have already met and their grouping as a way to collect the various cartons on a single track in one glance. This is the basic material of the website we hope to finalize in 2011 and when operational will allow a quick search by title, author, publisher, date, writer, type of iron ... etc. ...
we have already gathered nearly a thousand cards. Together with those for generic Irons, we will, over time and as the description you have some, title by title. This work is still in draft form but imperfect step. Please note that the numbering of structures is tentative and we do not know as yet whether it will become final upon the placing on the Web.
Moreover, these cards are state Book collecting comments and we will give you all next message in a bibliographic listing of books or catalogs that we consulted . The index scarcity, of course subjective, is based on our knowledge of this limited market.
Today four cards on the Vicar of Wakefield
( Eight years before his death, Oliver Goldsmith publishes what will remain his only novel, The Vicar of Wakefield . Success is not to go, it will be long in coming but sustainable. There are already six translations when, in 1838, Charles began his Nodier.
This novel is a synthesis of topics and themes familiar to the great English novelists of the eighteenth century. Fielding, but he retains the picaresque accentuates the comic, of Richardson, he took a spring classic narrative, pure young girl pursued by a ruthless seducer.
The plot is worthy of the ironic "Everything is going very well, Madame la Marquise." Reverend Primrose faces the misfortunes of the world, one by one, will befall him and his family. Without
knowledge can be, Oliver Goldsmith gives us one of the first novels of introspection. His sentimentality, delivered from Puritanism, humane, humanitarian, ethical, even, and will lead to romanticism, his realism is psychological as well as social, charitable irony goes with good nature clairvoyant, making it all the more endearing the character of vicar in which Goldsmith has certainly been a part of himself.) "
N° : 01
| Author: | GOLDSMITH Oliver | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Title: | The Vicar of Wakefield. New Translation by Charles Nodier with a note on the same life and works of Goldsmith | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Edition: | Paris. J. Hetzel. 1844. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Format: | a large volume in-8 ° (190x275) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Collation: | of XXXII-236 pp. illustrated 10 plates ht by Tony Johannot. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Description: | buckram gilt. Irons unsigned. Recto: The Vicar and Olivia in a double frame of vines and arabesques. Back: Arabesques. Verso: similar to the front. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Comments: | Malavieille, 75 (without frames). | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Rarity: |  without frames  with senior | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
 You meet more regularly without cardboard frames. No.: 02
The front part of the mosaic rosettes générique.Avec is sometimes different and of course different centers are found this framework the Lion Hunt of Jules Gerard, St. Vincent de Paul, Children of the Bible ... etc. .. No.: 03
Not included in the Sale Gans yet rich New Store Children. Unknown also Christie's catalog (Sale of 27/28 May 2002). can find it without cardboard frames. No.: 07
only example ever seen | |||||||||||||||||||||||||||||||||||||||||||||||||||||||
Drinks Princesscruise
Romance. Generic Iron Front No. 4 Romantic
Thanks to Peter, Bertrand and all others for their expressions of friendship.
Comfort and cheered, I continue by Simplex No. 4.
A truce for the holidays and resume the blog on 27. Merry Christmas.
Thanks to Peter, Bertrand and all others for their expressions of friendship.
Comfort and cheered, I continue by Simplex No. 4.
A truce for the holidays and resume the blog on 27. Merry Christmas.
GENERIC SHEET IRON. RECTO No. 4
Iron Haarhaus signed (on the entablature of the chapel at right).
Scenery scrolls and scrolls, a central recess contains either the title or a particular iron. It is flanked by two chapels on either characters or a shield. No mosaic.
Width: 105
Height: 189
Met on the following books:
1. Saillet (Alexander) Memoirs of a century. Paris, A. Desesserts nd A volume in-8 ° (244x154). Title to the center. Chapelles.Non childish characters in mosaic.
2. COLLECTIVE. Star of Youth by various auteurs.Dessins Louis Lasalle. Paris, Veuve Louis Janet, nd A volume in-8 ° (237x147). Ornate vase in the center. No mosaic.
3. Dessessart (Alfred) The Universe shown. Geography alive. Paris, Veuve Louis Janet, nd A volume in-8 ° (240x150). Troubadour centre.Non mosaic.
Monday, December 20, 2010
What Message To Write In A Wedding Card
cardboard. Generic Iron Front No. 3
GENERIC SHEET IRON. RECTO No. 3.
D escription Iron: Iron and signed Haarhaus Lenegre (Rel).
Decor composite volutes, scrolls and foliage with a central cavity formed by two pillars adorned with vases Medici in an entablature decorated in its center with a balcony. Side chapels characters. Wide flange at the bottom of the decor. General Vicinity of leaves and scrolls. No title. Mosaic or not.
Width (in central entablature): 108
Total height: 190
Met on the following books:
1.CHATEAUBRIAND (Viscount of). Genius of Christianity. Paris, P.-H. Krabbe, 1852. a large volume in-8 ° (270x170). No mosaic.
2. Chateaubriand (the Viscount). Attala, Rene, The Last of Abencerages. Paris, Vialat and Co., 1849. A volume in-8 ° (241x150). Mosaic.
3. DELAVIGNE (C.). Messenians and popular songs. Furne et Cie, Paris, 1840. a large volume in-8 ° (260x162). No mosaic. Signatures & Haarhaus Lenegre unreadable.
4. CHAMPAGNAC (J.-B.-J.). The mornings of Spring or the stories of the nursery. Paris, CPR - Lehuby, 1847. a large volume in-8 ° (260x160). Mosaic.
5. VAILLANT (J.-J) & LIMOURS (A.). Autumn evenings, new morality in action. Paris, Chez P.-C.-Lehuby, 1843. a large volume in-8 ° (260x160). Mosaic.
6. Sentimental Journey STERNE. Paris, Ernest Bourdin, nd a large volume in-8 ° (267x170). Mosaic.
7.The PRINCE DE BEAUMONT. Shop for Children. Second edition. Paris, Librairie Picturesque Youth, 1847. a large volume in-8 ° (270x160). Mosaic.
8. Saint Surin (Madame de). Isabella of Angouleme. Paris, P. C-Lehuby & Tours Pornin and Co., 1847. A volume in-8 ° (223x136). Mosaic.
9. JAL Guestbook families or the Holy Land Ad. Paris, Librairie Ethnography, 1849. A Volume
In Gr-8 °. (172x266). Mosaic.
10. FLOUR (Charles) History of the Crusades. Tours Pornin and Co., 1846. a small volume in-8 ° (128x212).
Mosaic.
11. COLLECTIVE La Grande City, New picture of Paris, comic, philosophical and critical. Paris, Maresq,
1844. In Volume One Gr-8 ° (160x251). No mosaic.
9. JAL Guestbook families or the Holy Land Ad. Paris, Librairie Ethnography, 1849. A Volume
In Gr-8 °. (172x266). Mosaic.
10. FLOUR (Charles) History of the Crusades. Tours Pornin and Co., 1846. a small volume in-8 ° (128x212).
Mosaic.
11. COLLECTIVE La Grande City, New picture of Paris, comic, philosophical and critical. Paris, Maresq,
1844. In Volume One Gr-8 ° (160x251). No mosaic.
Reaction Paper About Being A Good Nurse
Romantique.Fer Generic Cardboard Front No. 1
SHEET IRON FRONT GENERIQUE No. 1
D escription of iron: Iron unsigned
Decor Gothic "at the Cathedral" formed by two side chapels flanking a central aisle, all on an entablature. The nave with a recess shaped mihrab contains the title or another iron. The chapels surmounted by a bird are ornamented with floral decorations or personality management. On the entablature central three rounds. Floral frame around the scene. Mosaic or not.
Width (in central entablature): 85
Total height: 165
Met on structures following:
1. PELLICO (Sylvio). My Prison. Paris, Charpentier, 1843 . A large volume in-8 ° (270x177). No mosaic. Double frame.
2. CHRISTIAN (P). Morality wonderful. Paris, Belin-Leprieur, 1844 . A volume in-8 ° (235x150). No mosaic, plume central different floral vase instead of the title.
3. WALSH (Viscount). Evenings travel. Paris, Lehuby nd A volume in-8 ° (217x134). Mosaic. Plume central different. Frameless floral.
4. Saillet (Alexander). The Delassements Useful. Paris, P.-C.-Lehuby nd A volume in-8 ° (240x150). Mosaic.
5. Saillet (Alexander). The Royal Schools of France or the future of youth. Paris, P.-C.-Lehuby nd Mosaic. Characters in the chapels
How To Repair Broken Closet Shelve
Cardboard Romance. Generic Iron Front No. 2
Description Iron: Iron unsigned.
Width: 105
GENERIC SHEET IRON. RECTO No. 2
Description Iron: Iron unsigned. Decor composite volutes, scrolls and foliage, a central opening contains the title, it is flanked of two chapels with female characters, all on an entablature. These chapels are overcome
by a vase of flowers. At the top of the iron center, a child holding his hands branches. Framing
around the floral decoration. Mosaic or not.
Width: 105
Height: 172
Met on the following books:
1. FOA (Eugenie) Children illustrious. Paris, Amedee Bédelet nd A volume in-8 ° (208x135). Mosaic.
2. Girardin (Emile) Tales of this old girl to his nephews. Paris, Librairie Nouvelle, sd In-One volume 8 ° (250x150). Mosaic.
3. Mangin (Arthur) The illustrious scholars of France. Paris, P.-C.-Lehuby nd A volume in-8 ° (245x152). Mosaic. male characters in the chapels.
4.CASTILLON (A.) Naval Scenes and adventures of college fraternity. Paris, Amedee Bédelet nd A Volume
in-8 ° (206x133). No mosaic.
5. FOA (Eugene) The Little Artists. Historical tales. Paris, Amedee Bédelet nd A volume in-8 ° (205x135). Mosaic.
6.SAILLET (Alexander) Memoires dun centenary. Paris, A. Desesserts nd a large volume in-8 ° (245x153). Not
mosaic. Center the title is missing.
7. LE GALL (Olivier) in Moral stories. Paris, Belin-Leprieur & Morizot, nd A volume in-8 ° (215x135).
8. FOA (Eugenie) The Rise and adversity, women-famous childhoods. Paris, Amedee Bedelet nd
One Volume 8vo. Mosaic. Ht 8 prints in color.
9. BASSANVILLE (Countess) The ears of a gleaner. Paris, P.-C. Lehuby nd A volume in-8 ° (240x152).
Mosaic.
10. FOA (Eugenie) virtues and talents. Paris, Amedee Bedelet nd a small volume in-8 ° (205x130). Mosaic.
Sunday, December 19, 2010
Name Of Cultural Fest
Cartonnages Romantics 1840-1865. Types of Irons.
For years we often see in catalogs of Booksellers, that does not describe with precision gold chains adorning the romantic works buckram or grief of period 1840-1865. We simply, in most cases, a vague "golden Irons Editor" which is not very explicit. It must be admitted to the discharge of professional book that the task is not easy, most irons being composed of scrolls, foliage and vines surrounded by baroque columns and garlands in varying depictions of Gothic inspiration.
To address this gap and create a typology we reviewed hundreds of books and attempted to classify the chains adorning the front the back and back into two broad categories: what is
Credits, ie iron found in many titles and what is specific and thus an iron specific to a single title. It goes without saying that if we find in the future a second title with an iron currently ranked Specific, it will become an iron generate, manipulate that information technology makes it easy.
To date we have indexed more than 35 generic Recto irons and all that, if not more, irons generic Verso and we gave them a serial number. To illustrate, here's what would give more details about this book based on our study: DELHOMME (Ch) Fables de Florian.
Paris, Librairie Picturesque Youth, 1847. A volume in-8 ° (246 x 148) of 232 pp. Cardboard publisher, brown buckram. Duplex No. 11, No. 18 Back, back flute player with specific attributes and music.
The Simplex No. 11 is described as follows: Iron Haarhaus signed the scroll at the bottom right.
Decor volute, branches and birds included a pergola garden. Obviously central styled irons or specific flanked by two chapels on either flower vases or characters. Top washbasin flowers and two birds. Downstairs in the central entablature, scrolls and foliage. Mosaic or not.
width iron (entablature): 116
Height: 191
Today we know six different titles that carry the iron with some variations. The Iron
Verso No. 18 is known to us in three editions Florian. On one of them it appears not on the back but the front of the book.
Finally to show the diversity of the study we also have another cardboard Romantic Florian even edited by Delhomme which also has a face No. 11 but a back and a back completely different, both are probably generic determinations underway.
Independently of this study focused on the irons we will jointly create a website listing all Cartonnages Romantics. We have flagged more than 1,000 in all formats and distributed between Regionalism, Travel, Literature or Fiction, History, Religion, Childish, Natural Sciences and Varia. This site should be operational before the end of 2011.
The reasons for the dispersion of iron between different editors, different titles and different dates are still quite mysterious. Who commanded and paid the irons? Editor? the binder? Nobody knows. Probably the publisher. Presumably the chains after a first use were retained by large
bookbinding as Lenègre, Mame, or Lehuby Engel is what seems most logical, but nothing confirmed. One can find iron used in 1844 for example on the front of a book published by the Y, Z bookbinder and return the same iron on back ten years later with another publisher, or another binder. Or were they stored? We should not destroy all that according to some documents piecemeal, one can assume that the price of an iron (design, engraving, pressing with use of gold) accounted for more than half the price of total cost of a copy.
Who decided to reuse? Making matters more, some chains are composite, made up of several elements, some elements taken individually partly on certain dishes and mixed with other elements.
Over the days we will publish on this blog our worksheets on Generic Front, Back and Back. They are imperfect and it is with humility and pleasure that we welcome your comments and additions. You can let us know on our mail: bookexpert@wanadoo.fr
Bernard MAMY 
To address this gap and create a typology we reviewed hundreds of books and attempted to classify the chains adorning the front the back and back into two broad categories: what is
Credits, ie iron found in many titles and what is specific and thus an iron specific to a single title. It goes without saying that if we find in the future a second title with an iron currently ranked Specific, it will become an iron generate, manipulate that information technology makes it easy.
To date we have indexed more than 35 generic Recto irons and all that, if not more, irons generic Verso and we gave them a serial number. To illustrate, here's what would give more details about this book based on our study: DELHOMME (Ch) Fables de Florian.
Paris, Librairie Picturesque Youth, 1847. A volume in-8 ° (246 x 148) of 232 pp. Cardboard publisher, brown buckram. Duplex No. 11, No. 18 Back, back flute player with specific attributes and music.
 | |||||
| | | | | | |
Decor volute, branches and birds included a pergola garden. Obviously central styled irons or specific flanked by two chapels on either flower vases or characters. Top washbasin flowers and two birds. Downstairs in the central entablature, scrolls and foliage. Mosaic or not.
width iron (entablature): 116
Height: 191
Today we know six different titles that carry the iron with some variations. The Iron
Verso No. 18 is known to us in three editions Florian. On one of them it appears not on the back but the front of the book.
Finally to show the diversity of the study we also have another cardboard Romantic Florian even edited by Delhomme which also has a face No. 11 but a back and a back completely different, both are probably generic determinations underway.
Independently of this study focused on the irons we will jointly create a website listing all Cartonnages Romantics. We have flagged more than 1,000 in all formats and distributed between Regionalism, Travel, Literature or Fiction, History, Religion, Childish, Natural Sciences and Varia. This site should be operational before the end of 2011.
The reasons for the dispersion of iron between different editors, different titles and different dates are still quite mysterious. Who commanded and paid the irons? Editor? the binder? Nobody knows. Probably the publisher. Presumably the chains after a first use were retained by large
bookbinding as Lenègre, Mame, or Lehuby Engel is what seems most logical, but nothing confirmed. One can find iron used in 1844 for example on the front of a book published by the Y, Z bookbinder and return the same iron on back ten years later with another publisher, or another binder. Or were they stored? We should not destroy all that according to some documents piecemeal, one can assume that the price of an iron (design, engraving, pressing with use of gold) accounted for more than half the price of total cost of a copy.
Who decided to reuse? Making matters more, some chains are composite, made up of several elements, some elements taken individually partly on certain dishes and mixed with other elements.
Over the days we will publish on this blog our worksheets on Generic Front, Back and Back. They are imperfect and it is with humility and pleasure that we welcome your comments and additions. You can let us know on our mail: bookexpert@wanadoo.fr
Bernard MAMY
Subscribe to:
Posts (Atom)